Maqbool Fida Hussein, India’s best known painter, died in London on Wednesday, aged 95.
Here are two thoughtful, though not uncritical, assessmentsof his life.
The first by Girish Shahane in Mint:
He studied at the JJ School of Art, though the myth of M.F. Husain, as it later developed, excluded this formal training. By the late 1940s, he was widely recognized as one of India’s leading talents. He reached the peak of his creativity in the 1950s and 1960s, crafting seminal canvases such as Man, Zameen, and Between the Spider and the Lamp. Having come to believe that shakti, the female principle, was the essence of Indian culture, he fell under the spell of Indira Gandhi in the 1970s and Mother Teresa in the 1980s. By this time, he was, by some margin, India’s most expensive painter. His prolific output was as crucial to the nascent market as Amitabh Bachchan’s films were to the movie industry. Well past his prime as an artist, the complex interaction of figure and colour of his best work increasingly replaced by easy symbolism, Husain became a media star, and enjoyed the attention. His flowing hair and beard, preference for walking barefoot, and humble background as a hoarding painter made a winning combination.

